I just saw the new Magnificent 7 film. Overall it wasn’t too bad, typical summer blockbuster fare. Like most remakes/reboots, whatever the studios want to call them nowadays, it’s bigger and louder than the original. The cast is likeable and once the 7 are assembled, the film picks up pace a bit, albeit somewhat unevenly. The story’s villain changes from a bandit criminal gang in the 1960 Magnificent 7, to an amoral gunfighter/robber baron backed up by the local sheriff.
My main issue with the film is why someone thought it was necessary in the first place. Westerns are practically an endangered species in theaters now. Why remake a 56 year legendary film?
Especially since every aspect of the new film will be compared to it’s fore-bearers, the original Magnificent 7 and the equally legendary Kurosawa film Shichinin no samurai (Seven Samurai) the 1960 Magnificent 7 is based on. This where the film runs into problems, it’s good, but not great enough to erase comparisons to it’s predecessors.
The modern edits to the story include a new revenge sub-plot involving Denzel Washington’s character that does little more than confuse the plot. The primary villain is a walking collection of TV Tropes, shoot the messenger, robber baron and card carrying villain to name a few.
Another issue is the army of villains, who seem to have more in common with a World War 2 Banzai charge than a mercenary band. In the film’s climax, they are shown rushing repeatedly into murderous crossfire, dynamite mines and deadly booby traps with nary a flinch or sign of retreat.
The film gives no motive for this behavior. Fear, greed, misplaced loyalty? The plot gives no sign of anything to justify their continuing to attack as most of their comrades are mowed down in ill advised frontal assaults on the town.
The film also suffers from the typical modern summer blockbuster ailments of overly loud (to the point of clipping out the theater’s speakers) soundtrack and bloated editing. Many scenes go on at least a few beats too long, which quickly adds up and makes the film feel longer than the 1960 Magnificent 7, despite being roughly the same run time. Overall it feels like less is done with the available time.
On the plus side the cinematography is absolutely gorgeous, with beautiful panning shots of prairies, forests and mountains.
Overall I’d say it’s probably worth seeing in theaters, especially if you’re a fan of the genre or of one of the actors. The beautiful cinematography and likeable cast rescue it from a muddled plot and sometimes plodding pace. Just don’t expect anything special. Otherwise, wait for the budget showing or for the inevitable video release.
Robert Odierna 2016